Essay, Research Paper
& # 8220 ; I shivered, looking toward the street, where up the back street through the tunneling dark, three mounted police officers loomed beneath the round, snow-sparkling beam of the street lamp, hold oning their Equus caballuss by their bridles, the caputs of both work forces and animate beings bent near, as though plotting ; the leather of saddles and legings reflecting. Three white work forces and three black Equus caballuss. Then a auto passed and they showed in full alleviation, their shadows winging like dreams across the twinkle of snow and darkness. And, as I turned to go forth, one of the Equus caballuss violently tossed its caput and I saw the gauntleted fist yanked down. Then there was a wild neigh and the Equus caballus plunged away in the dark, the chip, frenetic clanking of metal and the stomping of hooves followed me to the door. Possibly this was something for Brother Jack to know. & # 8221 ;
Invisible Man, pg. 337
Within the posed partnership between the Whites and the inkinesss in the Brotherhood is an implicit in sense of authorization and domination. Although a image of confederation is what the Whites wish to paint, even shallow reading brings out the incontrovertible control which they possess over their black brothers. Unknowably, the storyteller is under this control throughout the full narrative, despite the recurrent instances that stare into his blinded position. The above transition is non a peculiar episode in the novel, yet instead a metaphorical representation of a chief subject: control versus rebellion. It besides acts as a prefiguration for the latter subdivision of the novel, every bit good as a summing up for the full history in general.
At this peculiar point in the novel, the storyteller is merely acquiring into the Brotherhood and is about to take portion in his first mass meeting with his brothers. He is non yet in melody with the control they hold over him and will shortly get down to exert ; he is still na ve in believing that the Brotherhood is so a & # 8220 ; brotherhood. & # 8221 ; Early on before even fall ining the organisation, he was given an thought as to what the Brotherhood stood for, as is apparent by Brother Jack & # 8217 ; s remark to him during their first meeting, & # 8220 ; And sometimes the difference between single and organized outrage is the difference between condemnable and political action & # 8221 ; ( pg 293 ) . Brother Jack insinuates from the start that there is no purpose that the storyteller should hold any single say or control over what is to be done within the Brotherhood. Later in the narrative, he even comes right out and says, & # 8220 ; You were non hired to believe & # 8221 ; ( pg 469 ) . This statement non merely confirms the unwanted trait of individuality, but it besides stresses the thought that the storyteller was hired to make a occupation, non brought into a group to form on equal land.
The image of the white work forces siting black Equus caballuss evidently parallels the Whites and the inkinesss of the Brotherhood. Simply the image of being ridden is a strong adequate image for the reader to see this representation, every bit good as for the storyteller to acknowledge it. However, the storyteller, unlike the reader, fails to understand the intense symbolism held in the actions of both the work forces and the Equus caballuss. Each little action can be interpreted as a point in the narrative, either through the storyteller & # 8217 ; s point of position, or ours. The storyteller first notices the place of the work forces with the Equus caballuss, as their caputs are dead set near together & # 8220 ; as though plotting ; & # 8221 ; we can see his underlying comparing of the common plotting of the work forces and Equus caballuss with the false common plotting and planning that he has with the Brotherhood. Despite this thought of common frames of head, we as readers still discern the image of the work forces siting the Equus caballuss, which keeps them still above the animate beings, keeping the feeling that the inkinesss are being ridden and governed by their white higher-ups ; when they are & # 8220 ;
plotting” with the Whites, they are really being talked down to, an image which fails to register to the storyteller in sing the work forces atop the animals. Like the Equus caballuss, the storyteller is merely one who carries out bids and orders, one such illustration coming from when Brother Jack says, “You are to acquire back at that place and take steps to recover our strength in the community” ( pg 421 ) . Brother Jack isn’t be aftering anything with the storyteller ; instead he is telling him to carry through the wants that he has for the organisation ; whether the storyteller has an sentiment on the topic is an undistinguished item.
Several correlativities can be drawn from the violent tossing of the Equus caballus & # 8217 ; s caput and the subsequent work stoppage of the adult male & # 8217 ; s fist. The episode with Clifton & # 8217 ; s quarrel with the constabulary is one major analogue that works wondrous due the fact that the work forces siting the Equus caballuss are so police officers. Reviewing this peculiar scene over and over reveals an eldritch comparing between the two. Clifton is first being guided along the paseo by the police officer, who barks orders in his ear as they go, much like the & # 8220 ; plotting & # 8221 ; happening between the adult male and the Equus caballus. However, after the police officers pushes him beyond his bound, Clifton rears up upon his oppressor, much like the Equus caballus does as it jerks its caput against its rider. Following this rebellion, Clifton falls by the shootings of the police officers, which echo the falling fist of the adult male on the Equus caballus.
The Equus caballus & # 8217 ; s raising can besides move as a contemplation of the intense mayhem towards the terminal of the novel by all the inkinesss, or besides as the storyteller & # 8217 ; s personal rebellion against the Brotherhood. This comparing is easy to see when the last sentence of the transition is brought into drama. When the storyteller objects to being assigned to the adult female inquiry business district, this is one of his rebellions ; nevertheless, it is rapidly followed by his stating to himself, & # 8220 ; I hadn & # 8217 ; T allowed the thought to take concrete signifier in my head, but for a minute I had about allowed an old, southern retardation which I had thought dead to bust up my calling & # 8221 ; ( pg 408 ) . The storyteller starts to arise, starts to believe for himself, but takes the easy manner out and Tells himself that the brotherhood, non him, is right and is in charge of covering with such things. This compares with the last spot of the transition because the storyteller is seeing this rebellion of the Equus caballus, sing it, pulling the comparing, but so wholly drops it and passes it off to be dealt with by Brother Jack. This finalizes our feeling of him being under the complete control of the Brotherhood. He blatantly says it himself, yet fails to acknowledge it, even when it comes from his ain oral cavity. There are cases when he says things like, & # 8220 ; Certainly I & # 8217 ; m interested. Otherwise I & # 8217 ; d act like a reasonable adult male and run out of here & # 8221 ; ( pg 405 ) and & # 8220 ; & # 8230 ; if I were truly free & # 8230 ; I & # 8217 ; d acquire the snake pit out of here & # 8221 ; ( pg 414 ) . We have this finalisation of entry by the storyteller before it even occurs in the narrative, which is what makes this transition such a powerful prefiguration of the remainder of the novel.
Not until the terminal of the narrative does the storyteller to the full recognize that he has been under this control throughout his full calling with the Brotherhood. Unfortunately for him, and to our discouragement since we can see it from the beginning, it is excessively late for him to repair the state of affairs at manus. He can merely look on and muse & # 8220 ; I could see it now, see it clearly and in turning magnitude. It was non suicide, but slaying. The commission had planned it. And I had helped, had been a tool & # 8221 ; ( pg 553 ) . It is eldritch the manner that his entry stares him the face, yet he blindly runs farther into it without winking an oculus. His whole calling was non even that ; he was a pawn for the Brotherhood to travel about, a Equus caballus for them to command and sit upon.